¿Quien sabe de dónde procede cada género musical?
Glen Mcdonald ha creado everynoise.com
Basado en los datos rastreados y analizados de los 1.911 géneros musicales que aparecen en Spotify, ha creado un diagrama de dispersión ajustado por legibilidad y de manera algorítmica, reflejando la interrelación entre los géneros musicales.
Echad un vistazo a su web everynoise.com, donde todos los géneros musicales están enlazados con una canción representativa a través de Spotify
Para no desvirtuar su idea, os dejamos su explicación íntegra en inglés.
This is an ongoing attempt at an algorithmically-generated, readability-adjusted scatter-plot of the musical genre-space, based on data tracked and analyzed for 1911 genres by Spotify. The calibration is fuzzy, but in general down is more organic, up is more mechanical and electric; left is denser and more atmospheric, right is spikier and bouncier.
Click anything to hear an example of what it sounds like.
Click the » on a genre to see a map of its artists.
Be calmly aware that this may periodically expand, contract or combust.
Click anything to hear an example of what it sounds like.
Click the » on a genre to see a map of its artists.
Be calmly aware that this may periodically expand, contract or combust.
How We Understand Music Genres explains how this thing got started.
A Retromatic History of Music (or Love) follows these genres across years.
The Spotify New-Release Sorting Hat uses them to cluster this week’s new releases.
We Built This City On follows them to their cities of origin.
Genres by Country breaks them down by strength of association with countries.
Songs From the Edges flings you through a blast-tour of the most passionate genrecults.
Songs From the Ages samples demographic groups.
Songs From the Streets samples cities.
Drunkard’s Rock wanders around for a really long time.
The Sounds of Places plots countries as if they were genres.
Every Place at Once is an index of the distinctive listening of individual cities.
Genres in Their Own Words maps genres to words found in their song titles.
The Needle tries to find songs surging towards the edges of one obscurity or another.
The Approaching Worms of Christmas tries to wrap itself around things I usually fight.
Every Demographic at Once explores listening by country, age and gender.
Or there’s a dynamically-generated daily summary of Spotify Listening Patterns by Gender.
A Retromatic History of Music (or Love) follows these genres across years.
The Spotify New-Release Sorting Hat uses them to cluster this week’s new releases.
We Built This City On follows them to their cities of origin.
Genres by Country breaks them down by strength of association with countries.
Songs From the Edges flings you through a blast-tour of the most passionate genrecults.
Songs From the Ages samples demographic groups.
Songs From the Streets samples cities.
Drunkard’s Rock wanders around for a really long time.
The Sounds of Places plots countries as if they were genres.
Every Place at Once is an index of the distinctive listening of individual cities.
Genres in Their Own Words maps genres to words found in their song titles.
The Needle tries to find songs surging towards the edges of one obscurity or another.
The Approaching Worms of Christmas tries to wrap itself around things I usually fight.
Every Demographic at Once explores listening by country, age and gender.
Or there’s a dynamically-generated daily summary of Spotify Listening Patterns by Gender.
Linkmusic Team
